Buy Tickets Contribute

Calendar & Tickets

2021-2022 Season

Tickets and ticket policies

The Bach Institute

Event Calendar

Directions & Parking

Who We Are

History & Mission

Ryan Turner, Artistic Director

John Harbison, Principal Guest Conductor

Craig Smith Memorial

Musicians

Musician's Spotlight

Staff & Boards

Support

Annual Fund

Hercules Society

Pat Krol Fund

Cantata & Solo Underwriting Support

Planned Giving

Volunteer

Advertise

Engagement

Musical Conversations

Lieberson Fellows

Past Fellows

News & Reviews

Emmanuel Music in the News

Press Releases

Recordings

Buy CDs

Notes & Translations

Bach Notes & Translations

Motets & Liturgical Works Notes & Translations

Program Notes & Translations

Mailing List Contact Us

Bach Cantata Notes

BWV 248-II (Christmas Oratorio Part II)


The second part of Bach's Christmas Oratorio is the most lovable and intimate of all six sections. The opening sinfonia uses the four oboes as the shepherds and the flutes and strings as the accompanying orchestra. The Evangelist then begins to recound the story of the shepherds in the fields. The chorus sings the beautiful chorale "Brich an, o schönes Morgenlicht." The Evangelist then describes the infant Jesus in the manger. The chorale tune "Vom Himmel hoch," one of the most beloved of the chorales, leads us into the gorgeous slumber aria for alto, flute, and strings; notice how the flute hovers above the alto voice like a halo. The chorus then sings the energetic Glory to God chorus. The section ends with "Vom Himmel hoch," this time acccompanied by motives from the opening sinfonia.

©Craig Smith


Emmanuel Music is the Ensemble-in-Residence at Emmanuel Church
15 Newbury Street • Boston, MA 02116 • 617.536.3356 • music@emmanuelmusic.org