Buy Tickets Contribute

Calendar & Tickets

2021-2022 Season

Tickets and ticket policies

The Bach Institute

Event Calendar

Directions & Parking

Who We Are

History & Mission

Ryan Turner, Artistic Director

John Harbison, Principal Guest Conductor

Craig Smith Memorial

Musicians

Musician's Spotlight

Staff & Boards

Support

Annual Fund

Hercules Society

Pat Krol Fund

Cantata & Solo Underwriting Support

Planned Giving

Volunteer

Advertise

Engagement

Musical Conversations

Lieberson Fellows

Past Fellows

News & Reviews

Emmanuel Music in the News

Press Releases

Recordings

Buy CDs

Notes & Translations

Bach Notes & Translations

Motets & Liturgical Works Notes & Translations

Program Notes & Translations

Mailing List Contact Us

Bach Cantata Notes

BWV 29

Among Bach's many duties as Cantor at the Thomaskirche in Leipzig was the provision of music celebrating the election of the town council. These elections always took place in August; Monday, August 29, 1731 was the first performance of BWV 29. This work drew on an older work,the Prelude to the E Major unaccompanied violin partita, dressed up in a full orchestra version, with the solo being taken by the organ. This elaborate, dazzling sinfonia is the perfect introduction to the brilliant cantata. The chorus that follows, a grand setting of words from Psalm 75 would be used two years later in the Gloria of the B Minor Mass. In 1749 when the Mass reached its final form, the work would reappear as the Dona nobis pacem. Our Cantata has an ingenious symmetrical form to the arias. The brilliant tenor aria with violin obbligato is the basis for the alto aria with organ obbligato that ends the cantata. In between is a lovely quiet sicilliano for soprano oboe and strings. A grand harmonization of "Sei Lob und Preis" ends the cantata.

©Craig Smith


Emmanuel Music is the Ensemble-in-Residence at Emmanuel Church
15 Newbury Street • Boston, MA 02116 • 617.536.3356 • music@emmanuelmusic.org